matrixxman / in real time

matrixx

with a moniker like matrixxman, it’s no surprise that charlie duff has time on his mind. a san francisco based DJ/producer with roots in arlington, virginia, duff has only been making music as matrixxman for a handful of years, sparked by an early listen to a juan atkins mix cd. although his musical history spans hip-hop and chicago house, his techno is hard-edged, restrained, impeccably produced with the gravitas of an artist who’s been in the game for decades. an infatuation with computers, AI, and technology has led duff to a kind of intrinsic interest in futurism — a techno DJ fundamental that, whether he likes it or not, permeates everything from his DJ sets to his productions.

do you believe in time travel?

i have mixed feelings on the subject. it’s something that i wouldn’t rule out of the realm of possibility for other highly advanced civilizations although i’m inclined to think we don’t realize said technology here on earth. or that if we do, maybe it’s only one-sided — like we can travel forward but not backward, otherwise we most likely would have undone things like the holocaust, slavery, or other events that we deeply regret as a species.

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berlin in symphony / jeff mills at the hackescher höfe kino

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how soon is now? just ask jeff mills. the so-called godfather of a legion of contemporary techno djs and producers, mills aptly brought the future to the present with the formation of underground resistance; a music collective he helmed alongside mad mike banks in 1989. if you want to know how it all started, that’s where you look. in fact, if you want to know what “it” is exactly, that’s who you ask. combining the technology of present with the knowledge of the past and a hope for the future, jeff mills’ version of techno is some of the most important, relevant, and — let’s just say it — magical, around.

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