pop-kultur festival was nothing if not true to its name. taking place at the infamous berghain and its surrounding venues, pop-kultur was a rotating cast of the leading figures in contemporary electronica; a stack on stack of your standard music festival events. all packed into a mere three days of evening and nighttime gigs, the festival gave you exactly what you expected — almost to a fault. here’s why.
there’s something to be said about coming home. countless words have been written about it: it’s “where the heart is.” “there’s no place like” it. nothing has emphasized the truth of these statements quite like returning to montreal for mutek, the annual digital arts and creativity festival that takes place around the quartier des spectacles/place des arts at the end of may. this year, the lineup boasted an incredible roster of local and international talent. not only was it deeply special to witness some of my close friends taking the stage this year, it was even more moving to find myself surrounded by all my favourite people in the world, dancing to the best music, all with the same smiles on their faces. coming home doesn’t get any better than that. Continue reading
it has been my sincere pleasure to get to know the music of nordic duo kiasmos over the past couple months. made up of neoclassical composer olafur arnolds and synth tech producer janus rasmussen, the project wanders somewhere between each artist’s respective genre. a stormy hybrid of minimal, contemplative techno, and melancholic contemporary classical. stunning, to say the least.